Now we know what Apple is doing with Pixelmator Pro after its acquisition of Pixelmator: it’s part of the new Apple Creator Studio bundle. Also, we celebrate the latest black and white camera to hit the market, the Ricoh GR IV Monochrome, and ponder large-format photographer Sally Mann’s discovery of digital photography.

Is your phone not accurately capturing the world around you? An article in the Guardian questions whether image processing in smartphones is making photos that aren’t genuine. Also, Leica released a firmware update that radically changes the entire interface, leading to a discussion of how important the UI in our cameras is when making photos.

Two Hundred episodes! To celebrate roughly seven and a half years of the PhotoActive podcast, Kirk and Jeff picked some favorite photos from the digital cameras they’ve owned.

We get views into two very different types of photography in this episode. Jeff travels to Nevada for the Formula 1 Las Vegas Grand Prix where the cars’ speed is a challenge to photograph... but not as difficult as the rules set by the Formula 1 organization. Then we look at the fascinating dye-transfer process and how this dying art is being used to print William Eggleston’s prints.

We’ve got several things to discuss in this episode, from little-known settings in the iPhone Camera app, to shooting panoramas, to the Leica M EV1 and to Guillermo del Toro’s Frankenstein.

What started with a couple of new settings related to the iPhone Camera app quickly devolves into a discussion of Apple’s Liquid Glass effect in iOS 26, changes and consistency in the Camera app’s interface, and whether all of this is too confusing for most people taking photos with their iPhones.

Has camera technology plateaued? We’re seeing technical advancements in image processing and autofocus, but what about the core parts like sensors? Also, we spend three hours talking about the Apple Watch Ultra 3 (not actually 3 hours).

Fifty percent of the PhotoActive podcast got a new iPhone 17 Pro, which means one of us has been testing the new cameras and can report back with first impressions. Who could it be? However, fifty percent of the podcast also got hands-on time with the other new phones, the iPhone 17 and iPhone Air. Listen to find out who got what, who’s seen what, and what we think after the first weeks with Apple’s new cameras... we mean phones.

The new iPhone models are here, a yearly event that we look forward to mostly to see what Apple has done with the iPhone cameras. Does a 48 megapixel telephoto camera capable of 8x zoom appeal to you enough to buy a new iPhone Pro? Is the svelte shape of the new iPhone Air compelling enough to pay more for, despite it having just one camera and less battery life? Or did you see the Cosmic Orange color of the iPhone 17 Pro and made your decision immediately based on that? We look at what Apple announced and what we’re looking forward to.

Are you following the proper rules of photography, or are you at risk of being busted by the photography police? Maybe you’re shooting photos out of focus, or introducing light leaks, or using direct flash. All of these can be considered “bad” photography, but they’re also currently popular styles of shooting. Also in this episode, Jeff talks about his experience with the Google Pixel 10 Pro XL and its Pro Res Zoom feature that uses generative AI to clean up images shot at up to 100x zoom.

Are you taking photos for yourself, or are you feeding the social media algorithms for brief dopamine hits when someone praises your images? In this episode, Kirk and Jeff ruminate on how the endless scroll of images is affecting how we enjoy and make photos. And we ask ourselves: what do we really want to photograph?

Don’t know what to photograph? No vacation plans? With macro photography, you can get great results literally in your back yard. What was once a style of photography that required specialized gear is now something you can do well with just your phone — though of course there’s plenty of gear available if you want to go deeper into it.

Fujifilm’s new X-Half camera is a curious hybrid: a digital camera with analog feel but a modern price. We also discuss news of OM Systems possibly using AI upscaling in future cameras to boost resolution and look at a few changes in the latest versions of Lightroom.

It’s the night before you leave for vacation and you need to choose which camera gear goes and stays. Do you reach for the 300mm telephoto, knowing it can get great photos but is large and bulky? Or do you take the smallest camera you can carry to ensure you have it with you at all times? And what else needs to come along? In this episode, Jeff and Kirk think about being on vacation, equipment they’ve taken on past trips, and what they would take now.

Apple’s Worldwide Developers Conference is always the first glimpse at what we can look forward to with new Apple software, including a peek at the photo capabilities of the next iPhones. And with iOS 26 and the Liquid Glass interface, things are going to look a lot different in the fall.

We know, it seems like we just talked about AI in photography, but the field is moving pretty fast. Google announced improvements to their generative AI models, which are both impressive and sloppy at the same time. We also look at new AI-based landscape masking tools in Lightroom, speculate on what WWDC could bring to Apple’s Photo app, and more.

It’s another photo book! We’re joined by photographer Markus Naarttijärvi and publisher Daniel Agee to talk about Markus’s new book A Surrender. When we last talked to Daniel, he was at photo service Glass, but now he’s struck out on his own to form the publishing company Good Fight, and A Surrender is the first title.

Quintin Lake traversed the Coast of Britain over several years, photographing and documenting the journey. Now, he’s turned his well-received project into a new photo book called The Perimeter. We welcome Quintin back to PhotoActive not just as a guest, but as an in-person guest with Kirk in his house in the UK.

The US government has begun to impose high tariffs on goods brought in from nearly every country in the world. Since most camera gear is made in Japan and China, what does this mean for the industry and, more important, for your own purchasing decisions? Since the policies are changing by the day, we decided to release this episode a week early.

With the bonkers success of the Fujifilm X100VI, it seemed only a matter of time before Fuji made a compact camera based around its GFX medium format line. That’s the recently-announced GFX100RF, a new compact-ish, 100 megapixel, fixed-lens, $5,000 camera. We look at the inventions and the tradeoffs incorporated into this high-res entrant into the compact field.