We often talk about "bringing up the shadows" and "recovering highlights" when editing photos, particularly with raw files. But what does that mean exactly? This week, we walk through some edits to show just how that's done. This episode is available as audio with embedded images, and also as a video—go to photoactive.co and get the video link in the show notes.

Is Apple’s new raw photo implementation ProRAW or FauxRAW? In this episode, we look at why you’d want to shoot raw on an iPhone in the first place, and then dig into the details of Apple’s new ProRAW format, which is available only on the iPhone 12 Pro and iPhone 12 Pro Max.

When we last checked in with Quintin Lake, he was walking the coastline of the United Kingdom and photographing what he found. In September 2020 he finished the trip: 6,835 miles (11,000 kilometers) and 179,222 photos. As he continues to edit his backlog and make and sell prints, we caught up with him to talk about the experience.

As with every new iPhone release, Apple touts the camera capabilities more than any of the other features. Jeff upgraded to the iPhone 12 Pro right away, while Kirk is happy with his iPhone 11. In this episode, they talk about the choices around iPhones as cameras, and why Jeff ultimately didn’t go for the iPhone 12 Pro Max, which features better camera capabilities.

Street photography looks easy: grab a camera, find some people, make some photos. Doing it well is another thing altogether. Photographer, educator, and author Valérie Jardin joins us to talk about the art of street photography, and how to develop the skills for creating great images with the help of her new book, Street Photography Assignments.

In Episode 78, we talked about everyday photo retouching, such as removing dust spots and objects from your images. Now, we’re shifting to the big leagues, talking to professional retoucher Lisa Carney about the art and business at this level. You may never look at a movie or TV ad the same way again.

You may think of “retouching” as a high-end photo skill for professionals—and it is—but there are also many types of retouching that every photographer will run into. In this episode, Jeff covers many of the techniques he uses, from removing dust spots in clear skies to erasing unwanted objects from photos, as well as portrait retouching that’s accessible to anyone. This is an extra-long episode with lots of example images, so don’t forget you can view the photos in some podcast players (like Apple Podcasts or Overcast), and of course you can also view them at PhotoActive.co.

We gave ourselves a simple challenge to create one photo every day for the month of August. It’s advice we give often: shoot often, shoot what’s nearby, use your photographer’s eye to find beauty in the everyday experience. Were we successful? And what unexpected challenges arose?

This week we talk to landscape film photographer Angus Haywood about building his own darkroom in a shed behind his house, seeing the world in a square aspect ratio, and the pace and people you experience when shooting film.

The summer and fall are some of the best times to visit and photograph gardens, so we’re happy to welcome Harold Davis back to the PhotoActive podcast to talk about his newest book Creative Garden Photography. We cover photographing public gardens, your own garden, getting creative with light tables when the weather is sour, lighting, and more.

We’re pleased to welcome back Michael Kenna to the PhotoActive podcast. In this episode, we chat with him about his new book Buddha, how the COVID-19 pandemic has affected a photographer that spends much of his time traveling, and the value of finding treasure in one’s photo archive.

Rich Baum joins us this week to talk about real estate and interior photography, a type of shooting that relies as much on discipline and adherence to rules as it does on creative problem solving. If you’re looking to expand your photographic skills or push into the field as a career, good news: you can get started pretty easily by shooting the rooms you’re already in!

Comet Neowise is streaking across the sky as we publish this latest episode of the PhotoActive podcast. How can you capture it, or any views of the night sky, in photos? We’re happy to welcome Glenn Randall, author of the book Dusk to Dawn, to talk all about photographing the night sky, from lens choices to composition to post-processing.

You may be familiar with the Exposure Triangle for determining exposure in photos, which is made up of ISO, aperture, and shutter speed. In this episode, Kirk explains that it's actually an Exposure Square we need to consider. We also discover the limits of Jeff's knowledge of film photography terms, since his photographic experience is almost entirely digital.

Portrait photography can seem awfully daunting if you’ve never done it. How many lights do you use? Which modifiers are the best? Do you need a studio? How much money should you spend to get started? Oh, and how do you relate to the person in front of your camera? We talk with pro portrait photographer Sandra Coan about shooting with just one light and one modifier—using film!—and her book Crafting the Natural Light Look.

The last time we talked with Rick LePage, he gave us the basics of printing your own photos. We’re pleased to welcome him again as a guest to go deeper into the topic, starting with the question: How do you choose what to print? It sounds like an easy query, but we discuss not just what you put on your walls (and which walls), but also how printing helps define you as an artist.

With photographers finding themselves with unexpected time on their hands at home, it's a great time to update the location data in the photos in your library. Pierre Bernard joins us again to talk about the new features in his Mac app HoudahGeo 6.0, indulging our lazy photographic habits, and...how HoudahGeo supports scuba divers?

This week we’re joined by Chris Niccolls, co-host (with Jordan Drake) of DPReview TV, one of our favorite video resources about photography. Yes, there are hundreds of photographers on YouTube, but we’ve long enjoyed Chris’s and Jordan’s friendly and knowledgable approach to reviewing photo gear and educating viewers about all aspects of photography and videography.

The autofocus capabilities in today’s cameras are amazing, so why would anyone buy a lens that offers only manual focus? Jeff and Kirk talk about situations where autofocus isn’t a consideration, such as buying inexpensive fast lenses or using an adapter to mount one brand’s lenses on another brand’s camera (like Nikon lenses on a Fujifilm body). We also chat about Jeff’s just-released book, The Photographer’s Guide to Luminar 4. We’ll be giving away a few copies to subscribers of the PhotoActive mailing list, and we also have a 40% discount code to share.